History, Interactive Technology and Pedagogy: Past Successes and Future Directions

Based on a keynote presentation at the 2012 Canadian Historical Association conference, this paper surveys the state of digital technology and its impact on academic publication and teaching in the contemporary university. Focusing on the dramatic rise of the Digital Humanities in the last few years, the paper examines alternative forms of peer review, academic scholarship and publication, and classroom teaching as they have been reshaped by the adoption of a variety of digital technologies and formats, including open-access, online peer reviewing, use of data- bases and visualization techniques in humanities work, online journal publication, and the use of blogs and wikis as teaching tools. Examining the digital production and education work of the American Social History Project at CUNY, which he co-founded, and the Interactive Technology and Pedagogy doctoral certificate program that he heads at the CUNY Graduate Center, the author discusses a range of digital projects and approaches designed to improve the quality of teaching and learning in college classrooms

The future of history: towards a meaningful measurement of student learning in regional universities

Regional universities are in a transitional period in which student engagement and learning are re-evaluated. In an effort to maintain course quality, the Australian government introduced the 'Tertiary Education Quality and Standards Agency', which is tasked with measuring students' acquisition of 'Graduate Attributes and Skills'. This task has particular implications for regional universities, where courses have higher proportions of cross-faculty and cross-programmatic enrolments because of economies of scale and budgetary constraints. This paper focuses on the acquisition of 'Graduate Attributes and Skills' in the Arts Faculty of the regional University of Southern Queensland. The paper suggests different learning expectations of 'Graduate Attributes and Skills' amongst students enrolled in history courses. It points to the implications for these differences in learning outcomes, and the particular pertinence of this given the new framework for measuring learning and teaching in Australian universities

Foundation Funding for the Humanities: An Overview of Current and Historical Trends

Foundation Funding for the Humanities: An Overview of Current and Historical Trends, finds that funding for fields such as art history, history and archeology, languages and linguistics, area studies, and the humanistic social sciences increased two and one-half times (149.8 percent) from $134.1 million in 1992 to$335 million in 2002. At the same time the report notes that, despite the overall increase, some scholarly disciplines actually lost ground over the ten year period. Support for the humanities grew more slowly than overall foundation giving during this period (up 199.8 percent), and the share of giving for the humanities slipped from 2.5 percent in the early 1990s to 2.1 percent in 2002

Dreaming Big: Library-led Digital Scholarship for Undergraduates at a Small Institution

In the summer of 2016, Gettysburg College’s Musselman Library piloted a student-focused, library-led initiative designed to promote creative undergraduate research: the Digital Scholarship Summer Fellowship. The fellowship is a ten-week, paid summer program for rising sophomores and juniors that introduces the student fellows to digital scholarship, exposes them to a range of digital tools, and provides space for them to converse with appropriate partners about research practices and possibilities. Unlike other research fellowship opportunities, the Digital Scholarship Summer Fellowship is programmatic, based on a curriculum designed to provide students a broad introduction to digital scholarship. Digital tools, project management, documentation, and the philosophy behind digital scholarship are equally considered. While a student-created, public-facing project is an expected outcome of the fellowship, the process of getting to that point is the primary pedagogical emphasis. Students are encouraged to use materials from Gettysburg College’s Special Collections & College Archives when conceiving their projects. Using our historic collections as the foundation of a digital project strengthens existing connections between the library and the academic curriculum and provides additional exposure to the library’s collections. The fellowship was inspired by digital scholarship initiatives at peer institutions and grew from the library’s position as a campus leader in supporting creative undergraduate research. By combining the best aspects from a variety of sources, we were able to create a new learning experience that allowed our students to start small and dream big

Acts of Disruption in the Eighteenth-Century Archives: Cooperative Critical Bibliography and The Ballitore Project

This essay outlines a method of intersectional feminist book history that we call “cooperative critical bibliography,” a practice of engaging faculty and students at different ranks and at different institutions in the act of collaboratively transcribing and digitizing historical archives of understudied communities, often those that comprise the quotidian and domestic daily lives of everyday people. Cooperative critical bibliography’s non-hierarchical method centers the shared expertise and scholarship of students as they participate in broadening the accessibility of historical knowledge and revising standards of the historical literary canon through transcription, digitization, and shared reflection. By creating a pedagogical space that resituates learning and institutional connections non-hierarchically and elevates the material needs and experiential expertise of students to a crucial research skill, this practice offers an inclusive model of student-centered training that makes humanities and archival work welcoming for students of color, first-generation, and early career scholars: all groups who have been marginalized in university settings and in the fields of archival studies and book history. (In the issue section Rethinking Catalogs and Archives

Learning from Jesus’ Wife: What Does Forgery Have to Do with the Digital Humanities?

McGrath’s chapter on the so-called Gospel of Jesus’ Wife sets aside as settled the question of the papyrus’ authenticity, and explores instead what we can learn about the Digital Humanities and scholarly interaction in a digital era from the way the discussions and investigations of that work unfolded, and how issues that arose were handled. As news of purported new finds can spread around the globe instantaneously facilitated by current technology and social media, how can academics utilize similar technology to evaluate authenticity, but even more importantly, inform the broader public about the importance of provenance, and the need for skepticism towards finds that appear via the antiquities market

The Rhetoric of Health and Medicine as a “Teaching Subject”: Lessons from the Medical Humanities and Simulation Pedagogy

The rhetoric of health and medicine has only begun to intervene in health pedagogy. In contrast, the medical humanities has spearheaded curriculum to address dehumanizing trends in medicine. This article argues that rhetorical scholars can align with medical humanities’ initiatives and uniquely contribute to health curriculum. Drawing on the author’s research on clinical simulation, the article discusses rhetorical methodologies, genre theory, and critical lenses as areas for pedagogical collaboration between rhetoricians and health practitioners

Creativity and Conflict: How theory and practice shape student identities in design education

By exploring the role of student identities in shaping attitudes to learning, this study asks how design students draw on experience to work across theory and practice. It explores how a specific group of design undergraduate students in a UK university perform on two distinct learning experiences on their course: work placement and dissertation. In particular, it considers the context for learning: the value placed on practice and scholarship; the role of social identity; links between art and design education. Using Bourdieu’s concept of ‘habitus’ the discussion considers the role of experience and motivation in learning in design education, and questions how useful historical divisions drawn between theory and practice are to student learning in design education. By questioning the value of internal disciplinary conflicts to student learning, it asks how we distinguish between vital pedagogic processes and divisive practices in higher education

2014-2015 President\u27s Report

The Linfield College President\u27s Annual Report is a collection of information about the year in review, including academics, student life and athletics, enrollment, finances, philanthropy, and leadership

Toward Metaliteracy and Transliteracy in the History Classroom: A Case Study Among Underserved Students

In the last twenty years, scholars have reimagined information literacy to better address an overly saturated world of information and the growing participatory culture of Web 2.0. Outside of library and information science (LIS), researchers have promoted transliteracy—the intersection between information, visual, digital, and other literacies—to help students find and assess information. Within the LIS discipline, metaliteracy has provided a foundation to rethink information literacy frameworks, redefining students as creators who produce and share information. Relatively few studies exist, however, on how to leverage literacies in support of student digital scholarship projects. Likewise, digital humanities professors promote metaliteracy in the classroom, yet fewer scholars create digital humanities projects or write case studies about them outside of research institutions, prestigious private colleges, and larger, well-established public history programs. This case study examines a class project for a small undergraduate Introduction to Public History course at Texas A&M University–Corpus Christi (TAMU–CC), a regional university with a comparatively large population of historically underserved students. Working with one archivist, two librarians, and the professor, students established a digital home for the ongoing South Texas Stories oral history project. Through this project, students learned and practiced various aspects of primary source literacy, information literacy, visual literacy, and digital literacy. The authors argue that such digital projects promote both metaliteracy and transliteracy, offering students a holistic learning experience during which they can practice their skills and that these types of projects are feasible at all kinds of institutions, even those with largely historically underserved populations